Mystic Comics #2 - pt. 2

Next up is Flexo the Rubber Man. This is like old home week for me, as both of these heroes (Mastermind Excello and Flexo) were played in my 1962 Marvel Super Heroes campaign I ran two years back. 

Flexo's inventors, Joel and Joshua, aren't ones to rest on their laurels; they're already hard at work reinventing those common comic book staples, the torpedo repeller and the new, more deadly explosive. And our enemies are up to the same tricks, because they have one of those dime-a-dozen rayguns that turn off electric motors. The 2nd edition basic book has no tables for specific trophies, but if it did, they would be weighted by frequency and these items would have some of the widest ranges on the table. 

Joel, captured by spies, is placed in a pretty lame deathtrap; he is tied to a tree with rope and left for wolves to eat. Wolves? Do these spies think they're in Siberia? The spies also don't think to check Joel's pockets, or they would have found the portable transmitter. Portable transmitters are also pretty common among comic book characters, but what makes Joel's different is that he taps on a button on his jacket, Morse code-style, and that transmits the message. 

When Josh gets the message, he takes the hi-tech approach of using Flexo to get him there and the low-tech approach of tying himself to Flexo's back with rope. I hope you're really good at knots, Josh! The comic book doesn't really explain how Flexo flies, but in the RPG campaign I ran that Flexo was played in, we came up with the idea that he shoots gas out his butt for propulsion. 

Josh reaches Joel just as 4 or 5 wolves arrive and, even though the wolves have shown nothing but curiosity about Joel so far, Flexo is made to viciously attack the wolves.

Flexo lifts their plane over his head (its head?). I think a 4-seat, single prop plane weighs about 1.5 tons, which is almost to the point where the power Raise Car tops out. Then they follow the repeller because it's magnetic and their compass in the plane points towards it because...you know, magnetism has no range to it.

As they charge into the spies' hideout, the marching order is unusual in that Josh and Joel go in first, with Flexo trailing behind. You'd think the human beings would want to use him for cover. Unless Flexo just moves really slowly on foot? 

The entrance is trapped with dynamite and all three of them are buried beneath "a mass of rock and heavy timbers" (without specifying how much a mass weighs). The entrance is trapped with dynamite and all three of them are buried beneath "a mass of rock and heavy timbers" (without specifying how much a mass weighs). The panel is pretty dramatic, with it looking like the timbers are exploding towards them instead of just falling. I would rate that as at least 3-18 points of damage. It makes sense that Flexo is not harmed by it if he buffed himself with a strong defensive power, but what's really surprising is that Josh and Joel only have scratches. I had considered them noncombatant supporting cast members - but are they actually mid-level scientists with a fair amount of hit points?

Although Josh and Joel normally control Flexo with a remote, it seems it can respond to voice commands too. The really interesting thing about Flexo is that bullets don't just bounce off of him like you'd expect from a rubber robot; instead, Flexo reseals after being punctured, like self-sealing tires. Only, as far as I can tell, self-sealing tires weren't a thing until 2006, so this seems to have anticipated the technology.

Flexo's "machine gun blows" must be the Flurry of Blows power. What's harder to describe with game mechanics is when the spies' car bounces off of Flexo, as there's not really a good power for that. Bounce Back Blows, maybe, if you let it work on vehicles and not just living attackers. Bounce Back Blows is powerful, so Flexo has a lot of brevet ranks. At this point, Flexo should still be just a first-level superhero. 

Moving on, the next adventure features Dynamic Man, and it starts with a curious mystery. Saboteurs are planning to blow up a bridge to crash a train. Dynamic Man is riding, in costume, on the top of the train. Is that because he knows the train is in danger, or is it just coincidence? Like Mastermind Excello, Dynamic Man has Clairvoyance and can see the bomb being placed, but Clairvoyance only has so much range, so he shouldn't have known about this until the train was close. 

Dynamic Man can fly fast enough to catch up to a speeding car, which is difficult to do with Fly II, and might require Fly III if the car had enough of a head start. He is buffed, possibly with Imperviousness, or relying on Nigh-Invulnerable Skin and a little luck, before going in so he doesn't have to worry about the bullets bouncing off of him. He picks up the men with ease, suggesting he has Raise Car activated, and appears to be beating the men against the ground like clubs, doing clubbing damage to them (which would be 1-6 points only -- unless he is also buffed with one of the Get Tough powers). The one surprise is that Dynamic Man seems to have a power that works just like rayguns that shut off engines, though you might be able to duplicate that effect with Wreck at Range, if the Editor allowed you to use it on just the engine and not the whole car. 

The bad guys' car has a special add-on; a radio transmitter in the back seat so their boss can listen in on everything...

(Read in Marvel Masterworks: Mystic Comics vol. 1.)

  

Amazing Mystery Funnies #19 - pt. 2

We're back, looking at Basil Wolverton's Space Patrol. Or is that pronounced Spaaaaace Patrol!? Last time, I was talking about Mercurians and lamenting that there was nothing unique enough about them to warrant statting them, but here we learn that Mercurians have thick rubbery hides - enough to warrant an AC of 6, 2 Hit Dice, and maybe even a -1 to blunt damage attacks against them, I'm thinking.

Last time I speculated about how I'd stat the Mercurian Mole-Men, and suggested they should be faster than normal. But if they can't catch two men in heavy armor, then I'm going to actually downgrade them to a Move of 9, while keeping their sleight of hand skill. And maybe they need some kind of burrowing skill - not that we see them use it, but because they are mole men?

Dryaks are going into the Mobster Manual first chance I get. They're enormous; I'd guess that critter must be at least 7' in diameter and 50' long (including the tail)? And if an atomic needle pistol can't pierce its hide, we may be talking an AC of 1 or lower! It attacks by bite, which probably does significant damage (maybe 3-18 points?), and I'd be willing to assign it at least 10 Hit Dice based on its slight resemblance to a D&D remorhaz. 

Interestingly, the dryak is not immune to fire, which you'd think would be a prerequisite for living on Mercury, but that's not the worst plot hole here, as our two heroic law enforcement agents, instead of trying to bring the criminals to justice, decide to roast them in a volcanic eruption. Hey, less paperwork, right? 

I think the obvious explanation here is that this story is too big for its page count and corners had to be cut sharply at the end. A lot of golden age stories suffer this. For a Hideouts & Hoodlums campaign to emulate that, scenarios need to have strict time limits, instead of continuing on to the next session, with the Editor wrapping it up by the most expedient method possible before the session ends. With no consequences (other than maybe missing out on collecting more treasure and trophies...)! 

sigh. After Basil Wolverton art it's a little hard to look at The Inner Circle again. At least I get to show off my high school-level French skills. The clerk is saying "You have your permit now." The native boy says "with me!"

Angcok Island is a fictitious name, which is just as well since it sounds ridiculous, and this is when there are real islands off Madagascar with names like Big, Crab, Klang, Pisang, Pom Pom, and Wan Man. This is one of those situations where you can't win; if you used a real name, people would probably assume you're making it up anyway.

On this page we learn a trick for how to make a compass screw up. There's also an interesting twist with the woman in the party, as we learn here she is an unwilling accomplice. It also seems to give our bad guy no allies, making this a pretty easy scenario.

 

I like how the native, instead of shooting gibberish like "Ooga booga," speaks perfectly fluent French. "Go!" he shouts. 

I'm sure it was difficult to find photo references for the natives of the islands off of Madagascar back in 1940. Thanks to the magic of the Internet, I found one in a minute-

-and as you can see the artist did get the details about half right, according to the natives of Borneo. 

I'm not going to bother with the rest of the story -- it takes a racist turn as the good guys side with the bad guy to kill a bunch of black people because, you know, it would have been too easy to just turn the bad guy over to them and solve everything without further violence.

So instead we'll just into the next feature, Fantasy Isle (formerly called Tippy Taylor after its star). Tippy is exploring a natural cave complex that may or may not be the entrance to Hades. 

Witches are shown to be pretty dumb and easily fooled here. Demonstrating no special abilities, I think we're going to just ignore this story in any future write-up of witches as a mobstertype. 

Nor should we be very impressed with that grim reaper character who is easily pushed off a bridge. I think I just found another example of fake undead! 

The fairy tale giant seems a genuine threat. I think I need to include a percentage chance of them being encountered a sleep, like D&D dragons.

There are times, I'll confess, when I just want to throw up my hands and quit. To truly emulate some of these comic book stories, every bad guy -- even if it's a giant -- needs to have no more than 3 hit points. Because just about everything goes down in one hit! 

Buck up, Scott. Look! A Potion of Invisibility that doesn't turn your clothes invisible. That's a trophy item we haven't seen before (but looks very familiar from the first live action Fantastic Four movie...).

(Scans courtesy of Comic Book Plus.)

 

 

Keen Detective Funnies #19 (v. 3 #3) - pt. 2

Yes, Centaur still couldn't afford to color every page! This is still Dan Dennis, FBI, and he's been really slow to get suspicious of the little old lady selling flowers outside the tenement building with a female spy in it he's been watching -- even though it set off red flags for every reader immediately.

Here, at least, he shows good tactics, out-bribing the old lady to get information. 

Invisible ink written on flower petals? Hmm...it seems like petals are too easily destroyed for that to be effective, but it passes comic book logic, I guess. I leave this here for your consideration, when developing coded messages for your own games.

Apparently just holding a gun in the open is cause for a G-Man to belt you in the chops. Works for me! TNT Todd takes down a thug with one punch; the thug must have had very low hit points!

Gee, Todd is pretty brutal. Is he one of the good guys or a D&D murder-hobo? He's also just not very good at anything. He attacked that one guy just for being suspicious, he got himself captured (between pages, I didn't show you that one), instead of ingeniously escaping he has to use threat of force to escape, and then gets caught again right away.

Though, to be fair, that reminds me a lot of my very first Hideouts & Hoodlums playtest. Those poor 1st-level Heroes kept getting knocked down and recaptured left and right. I've tended to go easier on my 1st-level Heroes ever since then.

I have three things to point out about this crudely-drawn page (okay, four, counting that). One, this is not a KKK meeting; these hooded criminals have 1001 written on top of their sheets because they have 1,001 members (we learned this on the previous page I didn't bother sharing). So, every time they recruit or lose a member, they have to all have new monographed sheets made for themselves.

The tiny skull on the desk seems like odd random room dressing, but of course skull decor denotes a bad guy in comics. It would be funny if, based on its position on the desk, if it was just a skull-shaped stapler.

"Give him the gong" took me by surprise, as this is way before I grew up watching The Gong Show on TV. Somehow I'm having trouble finding out how old this saying is, but it seems to predate Chuck Barris.

It's been so long, I had forgotten that we've already seen The Eye several times on this blog already! Here, he's coming to the aid of this paperboy, taken prisoner by three anarchists (they aren't called that, but their cliched behavior indicates it). The Eye either uses Telekinesis or Wreck at Range to destroy the rope -- it really seems unlikely that he/it wastes a powerful Disintegrate just on some rope. 

It's unclear why the Eye is shining light on the boy in panel 5. Is it just a Light spell because the room is dark, or is he/it hypnotizing/charming the boy to make him follow his/its instructions?

Here, The Eye uses Hold Person, which can affect up to three targets, and we see the effect is limp instead of rigid paralysis -- the spell can cause either, as long as the use is consistent. 

We'll jump now into the next story, which stars an old friend of mine (and currently featuring in my Funny Picture Stories anthology!), Dean Denton. This story takes place some months after the most recent one I've republished and -- ah, Harry Francis Campbell, I see you still have a problem with drawing arms that are too short.

The captain is mostly right; the average person cannot dive safely to 500 feet deep underwater. The world record currently stands at 1,082 feet, but that is next to impossible without extensive training for deep sea diving. Indeed, it's dangerous for the average person to dive more than 60' deep. I would say, then, that water pressure can do up to 1 point of damage per 60' past 60' deep, so that at 180' deep a diver takes 1-2 points of damage per melee turn, 1-4 points at 360' deep, and so on.

Compagnie Belgique threw me at first; it looks like a proper name for a company and I looked to see if it was real, but all it means is that Dean went to a Belgian company. 

Harry's work is always full of racism, and Absalom's dialogue here is no exception, but I'm going to give Harry props for at least trying on panel 4. It seems like he put a lot of effort into trying to draw a black man's profile, realistically, perhaps even from a model, instead of the usual caricature. It still came out looking really weird, but that's partly because all the faces around it look rushed and cartoony. In fact, the art overall is just sub-par for Harry. He must have been really rushing towards the deadline on this one.

The end of the story is missing from the copy I have access to, so I never do find out what the helium was for...

(Scans courtesy of Digital Comic Museum.)

 

Detective Comics #36 - pt. 1

It's been awhile since we last checked in on The Batman. This is still the pre-Robin Batman that I'm not particularly fond of. Bill Finger's The Batman, probably at Bob Kane's insistence, is a dark, menacing figure who is not opposed to killing by any means at hand.

Like many a Superman adventure of the time, this scenario starts with a wandering encounter -- a dying plot hook character escapes from a speeding car within sight of the Batman.  Batman's player is smart and has him search the body for clues!

True to the tropes of the Mysteryman class, the police catch him standing over the body and assume the Batman is a murderer. They even try to shoot him down without even bothering to tell him to surrender first!

Later, as Bruce Wayne, the Batman solves a clue and figures out that Professor Hugo Strange is up to something. The description that Bruce gives to himself of Hugo Strange resembles Sherlock Holmes' Moriarty.

Now, some people feel that, since the Batman already knows of Hugo Strange, that means this story was published out of order with the next Hugo Strange tale in Batman #1, but another possibility is that readers were supposed to understand from this that Hugo's first true appearance, in the 1934 Doc Savage novel, The Monsters, was canon for Batman's world.

The Batman, aware from the G-Man's notebook where Strange's first robbery will be, takes a big risk by disguising himself as the night watchman. Had the plan been to kill the night watchman, we wouldn't have a Batman today. But it does work out perfectly for him, as the robbers relax their guard and leave only one armed while the rest move boxes -- a perfect time for the Batman to attack and get one free turn of action while the mobsters would drop their boxes and go for their weapons. Better, he gets a surprise turn, on which he decks the guard and drops him, and then wins initiative on the first regular turn and takes out two mobsters (with low hit points) with his punches (two attacks because they are unarmed). It appears he is taking out four at once, but this must be turn-compression and showing his attacks on subsequent turns as well.

After the battle ends, the Batman shoots a gun into the air to bring the police, but it is not clear if it is his gun, or if he just picked up a mobster's gun.

The next night, Hugo thinks nine-to-one odds will be enough to stop the Batman, and it almost isn't. It appears that a single lucky head blow takes him out, but it could have been a gradual reduction of hit points throughout the battle.

Bucking villain tradition, Hugo does not put the Batman in a deathtrap, but plans to torture him with a whip while chained up instead. I suppose, eventually, that could kill him, so maybe it's just not a particularly efficient deathtrap. The Batman escapes by wrecking the chains. The Batman is a perplexing man (4th level Mysteryman) by now, so for him to wreck the category of machines (for chains), he needs to only roll a 4 or higher on 2 dice. I would also rule that he only gets one chance before Strange figures out what he's trying and stops fooling around with him.

The Batman is shown keeping a vial of sleeping gas in his utility belt.


(Read in Batman Archives vol. 1.)

Amazing Man Comics #9 - pt. 1

I don't know if 2019 is going to be an amazing year or not, but it's going to start amazing -- with Amazing Man!

It's been a while since we last checked in on Amazing Man (almost a whole year ago!), so you might need to pop back for a refresher course on how AM stole a German bomber and what fiendish plans he had for it. Geez, AM, even in wartime you're supposed to keep civilian casualties to a minimum!

As John Aman steers closer towards Chaotic Evil, two German pilots steer an intercept course. But only two? If John is as close to Berlin as he thinks, surely a whole squadron of ships would have scrambled to intercept him by now. Biplanes might seem antiquated, but Germany's air force did not see advancements in fighter plane design until 1941.

Now, John likely has no more than 30 hit points max, so there was little chance of him walking away from that crash. The fall itself, though, can't have done worse than knock him unconscious. The greater threat is the fire damage from the burning wreckage, as any additional harm once unconscious means death. Really, John would have been better off bailing out of the plane and landing separately (game mechanics-wise).

This may be the first and last time we read of John being Asian instead of Caucasian. He's certainly drawn as if Caucasian.

Surprise! John was only stunned and recovers, but with just 1-6 hp he is quickly brought back down again. Interestingly, it is not weight of numbers that takes him down, but the last one to hit him (the first two do not fare well in combat with John).

It's unclear if the Great Question can really will someone to recuperate faster over a distance of hundreds of miles, or if he's just making that up to get John out of bed. His TV does appear to have allowed him to watch John's fight, but this "crystal ball" mentality associated with television was so hard for people to break away from that we still saw it in the 1960s with Star Trek.

When I added weaknesses to Heroes in 2nd edition, I made them race-based because that worked, up until this point, in comic book history. We've previously seen Shock Gibson temporarily lose his powers in what seems like a freak accident (stepping on an electric eel, no less), but Amazing Man is the first human superhero (aside from Popeye) to sport a weakness that will consistently affect him.

It should come as no shock that hetrocoryn is not a real thing. Hence, Bill Everett could have AM encounter it virtually anywhere.

Also note that, instead of being cut off immediately to his powers, John only gradually weakens over a number of melee turns. What that means, game mechanics-wise, is less clear. Perhaps he loses access to one random prepared power per turn, and then wrecking things last once the others are gone.

AM is brought down this time with grappling.

Enough time has passed for his weakness to go away, but we don't know how much time.

Nazis are not normally shown to be conscientious about who they shoot, which is refreshingly nice.

Amazingly, this issue was on newstands around the same time as Germany and the Soviet Union entered into the German–Soviet Commercial Agreement, but Everett couldn't have known about that specifically, months earlier, when he was creating this story.

And we'll wrap up today with just one page from the second feature in this issue, The King of the South Seas. The story isn't clear how Doris lost consciousness just from being in a river with fast current. Perhaps she bumped her head on a rock, though you know how women were always portrayed as chronic fainters back then.

It's unlikely that saving people from drowning is what King feels like he was missing his whole life.

Only thousands, King? Not even tens of thousands? Doris could convince him to go straight right now if she just explained inflation to him.

(Scans courtesy of Comic Book Plus.)

Target Comics #1 - pt. 2

Now, let's jump ahead to the next feature, Lucky Byrd, Flying Cadet. Although it looks like someone different inked over him, this is our old friend Harry Francis Campbell, from Dean Denton and John Law. Like his predecessors, Lucky wins the day with his scientific know-how, and here he explains to us how he figured out how a bomb set off by altitude could work.

Next up in this all-star line-up of artists is Joe Simon (minus Jack Kirby), drawing T-Men. T-Men, as the first page (not seen here) explained to us, are like G-Men, but they work for the Treasury Department. 

Here, a disguised T-Man is captured and is put into a deathtrap -- or rather, a deathtrap is sat in his lap. A black soldier spider isn't a real thing -- thank goodness, because that thing is huge! Well, using large/huge/giant terminology, this could be our first example of a large spider. Its bite is implied to be quite lethal.

It's unclear if the hoodlum falls because he's dead or just because he's been shot. Under normal circumstances, you don't have to worry about falling down after taking damage in Hideouts & Hoodlums, but common sense can overrule that for situations like this, when you happen to be leaning over a trapdoor at the time.

A rare example of a bullet wrecking things. I've never been happy with how to handle this, but perhaps the bullet can just be treated as flavor text, now that non-superheroes can all wreck things.

And we get an example of a secret door and a hideout connected to sewers.

This true crime genre feature is called City Editor, with the hook being that journalists are investigating instead of the police. Though, really, this kid winds up doing most of the detective work. And just for a plate of beans and some coffee too! Half-pints are easily bribed. They also can have surprising skills, like photographic memories and the ability to draw photo-realistic.

This feature is really different. Calling 2R is a twisted boys town with super science weapons doled out to the kids.

This first weapon is a raygun that can make you blind and stunned for 24 hours (though I would allow saving throws for both effects and have the duration be a range of hours, like 3-24). 

A vest that projects force blasts, or the Blast I power, seems awfully potent to turn on another half-pint with 1-3 hit points.

Three of the bad guys here are gangsters, accompanied by the spy in the green coat.

The electrical force wall seems to act as more than a Wall of Force spell; it does some damage (1-3 or a full die?) against anyone touching it, but apparently does more damage if you're touching metal and not grounded, and stalls electronics that touch the wall.

The airbug is an interesting design. I doubt it would fly, yet it almost seems feasible.

The Captain tries to sneak up on the spy, but the surprise check the Editor rolled said he failed. He might still have gotten lucky and gone first by winning the initiative on turn 1 of combat, but was not so lucky and apparently only had 6 or less hit points.

Speck was only stunned on a previous page, and that's not applesauce on his head. This strip is really violent, by the way.

At the end of this page is a very rare indication in a comic book that skills have to be learned, as most of the time anyone seems to have a chance to try anything.

(Scans courtesy of Comic Book Plus.)

Target Comics #1 - pt. 1

Here we are, starting out on a new comic book series again. This uncredited artwork is obviously Bill Everett, who we've already seen at Centaur and Timely.

Wenton, Arizona isn't a real place -- but Wenden, Arizona is.

Cowboys in comic books are really acrobatic. I mean, jumping up, grabbing the rafters, swinging yourself up -- while wearing spurred boots and heavy chaps, no less -- and then kicking the door open in mid-swing to boot? That's one, possibly two stunts right there.

If I don't introduce a Cowboy class in 2nd edition Hideouts & Hoodlums -- and I'm leaning towards not -- it will be because most cowboys are Mysterymen.

Further, that's an interesting tidbit at the end about what you can tell from how a cowboy leaves his reins.

I can't help it; I am so amused by the over-the-top misogyny of this first panel. I also can't decide if he's that hard to please, or if she's admitting to herself that her coffee just isn't that good.

As bad as that is, the racist dialog in the second tier is even worse and only excusable because it's coming out of a bad guy's mouth.

Lastly -- the real reason I shared this page -- is the interesting effect of being hit in the face by a hot coffeepot. Not only does it seem to do significant damage (perhaps treating it as a regular club and not an improvised weapon), but the heat seems to do residual damage on the following turn.

Bill studied his cowboy tropes for this story; here we see Vault into Saddle, which I believe was one of my original stunts for the Cowboy class (back when stunts worked more like powers and spells).

Bill's idea of "point-blank" range looks a little long to me, as I'd guess that's...at least 80' between them?

Shooting at someone behind you, when you can't turn to face them, should probably be at some sort of penalty, and maybe as much as -2.

And we have precedent here for grappling attacks from on horseback.

Along with Bill Everett is that other Timely Comics stalwart, Carl Burgos, here offering us his third android superhero, Manowar. This page covers his origin, with the big difference being that, while the Human Torch came from the present and Iron Skull is from the future, Manowar comes to us from the past.

His electric eyes (that sounds like a song title...) can wreck things, and it looks like he could wreck through a brick wall, which is the Cars category. That means Manowar has to be at least 2nd level (an android great man), with 1 brevet rank since he's just started gaining XP.

Manowar, at least at this point, doesn't seem to have any defensive-buffing powers engaged, so the machine gun is just missing him.

Here's what appears to be a clear example of a single, normal strength head blow downing a superhuman (and an android to boot; does he have an off switch on the back of his head, maybe?). Or is it? Perhaps the machine gun was "hitting" him, abstractly, reducing his hit points until this moment when he finally went down to 0.

"Bolita" is obviously Bolivia.



(Scans courtesy of Comic Book Plus.)

Champion Comics #3 - pt. 3

This is still Blazing Scarab. The Curtain of Ammon is a magic item that functions like a...well, it's a television set with color and sound. Karnak is a real place.

 Memthet seems to be a fictional location.

Revenge of the Zombies is a serial probably based on the 1932 classic White Zombie.  Here, for the first time, we see undead zombies instead of space zombies or green hairy zombies. We also see Voodoo Charms, which act like a Charm Person spell on anyone wearing them.

The story is surprisingly dark, what with the dead goat left on the doorstep here, and later a dead pig is thrown as a distraction.

This serial is called Yacqui Gold. Yacqui is an Indian people indigenous to the southern Sonora state, on the west coast of Mexico. The art is by an obscure artist, Roland (or Romana?) Patenaude. Most of the art looks rushed, but the inking on that fifth panel is gorgeous.

Here is an encounter with a cougar (puma), and another example of a mobstertype being killed in one hit. 

Weakness from loss of blood is not a game mechanic in Hideouts & Hoodlums, though needing to sleep is an implied mechanic and perhaps he was also just really tired.

(Scans courtesy of Comic Book Plus.)