Mystery Men Comics #6 - pt. 1

I'm pretty sure this information was all made-up in this poor man's Believe It Or Not -- but I'll be darned if these wouldn't make good plot hooks anyway...

This is The Green Mask, and it shows that even cultists tended to be handled with a racist/bigoted air in comics; the cultists are called both cultists and Hindus. And then there's that obvious anagram of Taj Mahal -- ugh...

We do see The Green Mask using a fence as one-time Supporting Cast.

Mind you, the idea of a "skull crown which gives its holder control of a vast robber tribe" seems like a potent trophy item.

Are they cultists, Hindus, robbers, or thieves? Make up your mind, story!  The cult leader is a trickster. The current entry for cultist in the Mobster Manual states that cult leaders are high priests, but that might need updating.

One of the earliest assassins in comics, or is a thug?  Now we have the original meaning of the word thug being conflated with all these other words. The assassin is overcome quickly, so don't really see what he can do -- though surprise attacks seem to be an important part of it.

I wonder, if this was a RP scenario, if the chase scene back to Carmella's home would have to be acted out...

And, speaking of badly obvious anagrams, we have El Rakif, for the word fakir.

That looks more like a spike than a knife to me, but I suppose it hurts a lot either way, and is just as terrifying. Game mechanically, I suppose the victim would get a save vs. science each turn to take half-damage from falling on the knife/spike, and the torturers don't have to worry about rolling to attack.

It's unclear if the paralyzer gun works like the Hold Person spell and affects multiple targets at once, or if he's firing multiple times and burning five charges. I like to think it's a weapon with charges, which explains why he uses it so sparingly.

Um, no...for one thing, a meteorite could not strike the Earth at such an oblique angle that it would shave the planet smooth like that; it would always produce a messy impact crater. And, really, if that map is even remotely accurate about the size of the impact site, we're talking extinction-level event here. Rex Dexter of Mars must be taking place in a post-Gamma World campaign setting.

Wow. I haven't seen anything that racist in a comic book in a while. Thank goodness it came out of a character's mouth and not the narrator!

Statting these creatures shouldn't be too hard; we have lots of slimes, oozes, jellies, and puddings to base them off of.

50 million miles from Earth means that Rex and Cinde were almost to Mars, but had to turn around and come back.

It seems odd that spaceports would be on Earth instead of in orbit. I wonder when the first off-Earth spaceport was dreamed up; I was not able to research this one.

(Scans courtesy of Comic Book Plus.)

Wonderworld Comics #8 - pt. 3

Dr. Fung finds it extra hard to find the trickster Scorpio (the trickster class, designed for mediums and psychics, debuted in The Trophy Case v. 1 #4) in his weirdly-shaped mansion. The first room is concealed behind curtains, but behind the room is a secret door keeping the blackmail files safe. The Editor can double up on tricks and traps as well if it keeps the hideouts challenging.

Weapons concealed in canes are so cliche that they'll never fool your players, but a spring-loaded arrow-launcher concealed in a magician's wand? That's a trophy item that will surprise them (though I question the penetrating power of such a weapon -- maybe it would only do 1-4 points of damage?).

Tex Maxon is good in a fight, but not as good as Timmons!  Check out how he kicks a rock with the back of his foot and manages to get enough lift to strike Tex in the head. I'm not sure even professional soccer players could pull off that stunt. It certainly makes me question if Hideouts & Hoodlums needs any facing rules.

It is not unfeasible for someone to fall 150' and survive, as there have been lots of examples of people falling even further and living. The H&H rules are unforgiving , with a fall from that height doing 15-90 points of damage. Now, it's possible that Jon Pulski had 16 hit points and got really lucky, or the Editor set a lower minimum damage (which he could always do, at his discretion).

Fake skulls seems like it could be interesting hideout dressing.

This is K-51, though the influence of Will Eisner makes it seem an awful lot like a Black X story. This takes place in the Philippines, which was an U.S. territory at the time. The rabble-rouser Mussoni is obviously based on Mussolini, though what he'd be doing in the Philippines isn't clear.

Notice how, in fiction, no one ever gets stabbed during a grappling fight. This is borne out in the 2nd edition grappling rules, where if you grapple someone, that opponent can't make any attack back at you that turn except for grappling.

The typhoon is either a wandering event or something the Editor just tossed in, at his discretion, to shake up the plot (it had been a standoff before this). The typhoon is strong and wrecks as if a high-level superhero. X-51 and his fellow agent Claire (she does have a codename, but it's not used past the first page) both make their saving throws vs. science (or maybe plot, or whichever was worse?) to survive the storm, with the Editor rolling for the major antagonists on the ship, while likely hand-waving the rest of the rolls and just saying the crew all died.

The bad guy here is called both a bandit and a robber, but by the way he gets from the side door of the train to the ropes hanging above the train, he must be a mysteryman.

The "chief" is a master criminal; you can tell he is by the bald head. A thug (another mobster type) robs the train this time, using less acrobatics.

The car is full of a mixture of gangsters and thugs. One of the thugs recovers quickly, having made his save vs. plot to recover quickly from unconsciousness (a new 2nd ed. rule). This indicates that even small-fry mobsters are eligible for the recovery rule...though, if there was no such rule, this could perhaps be explained away as a special ability of the thug mobster-type.

(Scans courtesy of Digital Comic Museum.)

More Fun Comics #30 - pt. 1

Just when I was convinced that "hide in shadows" should be a class-based instead of a race-based special ability, a page like this comes along, where Sandra of the Service is shown to be hiding in shadows.  So what's going on here? Can all humans hide in shadows after all? Should this be a special ability for the Spy class, or is Sandra a Mysterman? Is hiding in shadows going to become a stunt accessible to many classes?

The only thing I can say with any certainty is that the Spy class (an unofficial class from The Trophy Case) will not make the cut into 2nd edition Hideouts & Hoodlums.  It may be too specific an archetype, while Hero classes should be broad enough to be used for more than one. Also I've just received no feedback from players interested in playing one.

Good call, Sandra. If your player had been careless enough to have you shoot into a dark room, crowded with combatants, I would have rolled randomly to hit any target, friend or foe, regardless of how well you rolled on your attack roll.



I'm still unsure if Doctor Occult is public domain or not, so I'm going to continue to err on the side of not sharing these next pages -- which is a shame, because we see a lot of H&H-relevant material in them.

An old soothsayer performs a seance, not unlike the seance ability of the Trickster class (from The Trophy Case v. 1 no. 4). The trickster is more likely to end up as a mobster-type in 2nd edition than a Hero class.

The seance goes wrong and summons an elemental. Elementals, in Dr. Occult's world, are supernatural and composed of ectoplasm instead of an alchemical element.  Elementals can possess people.

We also observe Dr. Occult and the elemental-possessed soothsayer in a contest of wills -- an optional rule for Magic-Users that debuted in The Trophy Case. A slightly altered version just appeared in Supplement V: Big Bang.

Meanwhile, Jack Woods reminds me that I should have made a Cowboy Stunt called Make Shoot at Hat. For 1 turn, all opponents must save vs. plot or shoot at the exposed hat instead of the concealed Hero.

Comic books seldom specify what type of gun is being used, and I now see it as an error that I specified so many types of historical guns on the starting equipment list. That said, this page clearly refers to Jack's weapons as being .44's, and are probably Winchester .44 revolvers.

Some amounts of climbing, like up a steep, rugged slope, or maybe even the side of a building, should be accessible to all Heroes. This, though...climbing a sheer wall, straight out of water? This has to be a special skill -- either performed by a Mysteryman (which Brad Hardy doesn't seem to be) or a stunt usable by Fighters (as Brad Hardy definitely seems to be).

It really seems like Wing Brady's player rolled a fumble in this combat. Criticals and fumbles are house rules in some games, and official rules in others. I have decided to avoid both for H&H -- I would rather the Editor control the flavor text of what happens in combat, bearing in mind the mood of the campaign he is aiming for.

(Scans courtesy of Comic Book Plus)