Popular Comics #49 - pt. 1

The radio drama allegedly always used true cold cases from the FBI files, and the Gang Busters comic strip at least started out the same, but how true is that by 1940? I can't find any evidence of an actual FBI agent John Winston, though Winston being the middle name of John Lennon is, admittedly, clogging my search results, and there's no reason why the name couldn't have been changed to protect a still-active agent's identity.

Richmond, Virginia is of course a real place. I can't find a Calvert Bank in Richmond, but there is a Calvert Drive in Richmond, and perhaps there was once a bank there? 

The Tri-State Gang was real. According to the Sword and Scale website, their crime spree ran "through Pennsylvania, Maryland, and Virginia during the early to mid-1930’s."

By this page, the scene has shifted to Baltimore, Maryland. The names of the streets seem to have been changed to ...protect the innocent streets. Although there is a Harvey Street in Baltimore, it is commercial instead of residential, and doesn't intersect with an Elm Street. 

The map hardly seems necessary, since the maneuver of blocking the intersection with cars is really not elaborate. 

The story of the Tri-State Gang is actually pretty interesting, but you wouldn't know it by this rushed retelling. Indeed, the Gang Busters comic strip often has a bland sameness to its stories.

So we'll skip ahead into Martan the Marvel Man. I'm pleased with what this installment is trying to do, showing us Martan and Vana getting to know Earth, but I'm skeptical that they would immediately understand our comedy as quickly as they do here. Even more interesting is that this is an alien invasion story, but with the twist that Martan and Vana are on the ground with regular people and get to see how they react and deal with it.

The locations are worth mentioning here. It's unusual that the aliens land somewhere in New Jersey and San Francisco and not more obvious targets, like Chicago, New York City, or Washington, D.C. Likewise in Germany, the aliens skip Berlin and are landing in less important areas of northern Germany.  

On a page I'm not bothering to share we also learn that the invaders are Martians, but the story ends with us still not even having seen the invaders yet. Maybe next time!
 

I am leery of this page because of the gruesomeness of that final panel, but two points here: one -- and we've seen this elsewhere before (and done better) -- is the idea of mistaking dinosaurs for dragons, or having dinosaurs and dragons be one and the same thing. It's a fanciful idea today, but much less was known of dinosaurs in 1940, so it would be easier to equate them with fantasy creatures. 

Second, and going along with how less was known about dinosaurs, pterodactyls are here displayed acting like carrion-eating vultures, when they were actually fish eaters, more like seagulls and albatrosses.  

Again, pretty gruesome, but I appreciate that the author knew the poisonous fumes are at least as dangerous as coming into contact with the lava (oops, Jurassic World 2 seemed to have forgotten that!). I would say anyone within 10' would need to save vs. poison or take ...let's say 2-8 points of damage from it, per combat turn within that distance.

Rekra is a weird name, but it actually is a name! I'm not entirely sure from where, but Google searching seems to be pointing to it being Slovakian. So this Slovakian spy has a gas gun and gas mask. Well-outfitted! This is a variant gas gun too, one that sprays paralyzing gas instead of sleep gas (both are chemically fanciful so, why not?). 

Oil line to motor broken is a good random complication in aerial combat (though this time it's being faked by plane thieves!). 

Out of the Sun was an aviator stunt in 1st edition Hideouts & Hoodlums, and here is used to give the Masked Pilot a surprise bonus while tailing the hijackers. 

This could be the earliest mention of Nicaragua in comic books. It's interesting that Nicaragua, being a neutral county in this story, gets to keep its name, but the villainous country is called "Vulcania." It's pretty easy to figure out which country that is, as El Salvador is known as the Land of Volcanoes. Although ruled by a dictator, Nicaragua was at least officially on the side of the allies during WWII. Although Nicaragua's dictator, Somoza, was corrupt, he wasn't as bad as El Salvador's dictator at this time, Matanza, who had more than 30,000 of his people killed.

(Scans courtesy of Comic Book Plus.)

 

Crackajack Funnies #21 - pt. 1

It feels like forever since I last reviewed a Dell Comic, so it's pretty exciting to come back around to Crackajack Funnies and all the comic strip reprints here.

First up is Don Winslow of the Navy. I always share a page that shows a code in use, but this one also shows that a code stencil is a random item you might pick out of a hoodlum's pockets someday.

 After that stirring anti-war speech, Admiral Warburton uses "scotch" as a verb in a way I'm not familiar with. This use is defined as "decisively put an end to."

It's also real handy, being given an assignment by your commanding officer, and finding out the hard work of getting started has already been done for him. This makes a lot of sense in a comic strip format, when things have to move quickly, or a home campaign when you don't have many hours to play per session.

Innocent soul that I am, I had to look up "half-caste" to see if that was an actual thing. It's just another way of saying "half-breed," or "a person whose parents are of different races." Yeah, it's pretty racist.

The main reason you're seeing this page, though, is for the idea of tucking your secret notes into the visor of your hat. Noticing the thickness of the visor and thinking that's suspicious enough to investigate is like rolling a 1 for a secret door.

I'm not going to make you look at very much of Looney Luke this time, as it's really insulting towards American Indians.

There are some peculiar features to this page worth pointing out. One is Luke going all the way back to the 14th century to meet Indians; I wonder how Wingsmith happened to choose that century.

Despite these appearing to be Plains Indians, they have a mix of teepee and pueblo housing.

I don't think this is right, Indians practicing mummification. Indian mummies have been found, but mummified through natural processes. The most famous may be the Spirit Cave Mummy found in Nevada -- but that was in 1940, and these reprints usually run two years behind their original newspaper runs. So I wonder what earlier mummy was found that inspired this strip.

Interrupting the melodrama of Myra North is this explanation of a verbal code between mobsters. Myra was even nice enough to write out the explanation for us!

For a feature with "stratosphere" in the title, it's surprising to find them exploring caves this month.

In Hideouts & Hoodlums, you don't have to be a dwarf or gnome to detect sloping passages (I would make it a basic skill check).

The science here isn't terrible -- it is most likely that the Native Americans originated in Asia, maybe 20,000 years ago. The big question is, would primitive people from the stone age have been able to carve out a tunnel that smooth and carve idols like that? Probably not.

It takes them a few days to build a shack (how handy that their plane was full of nails!). It takes them almost a week to repair a radio transmitter. Useful to know if I ever revise my inventing things rules.

This feature went from cave exploring to an aerial dogfight so fast I think I have whiplash!

A cowling is the removable covering of a vehicle's engine, most often found on automobiles, motorcycles, aircraft, and on outboard boat motors. On planes, cowlings are used to reduce drag and to cool the engine.

Ah, Roy Crane, how I've missed you!

Here we learn that Flo's skirt is just the right length. I mean -- we learn that it's a good idea, if you're a hero running a business, or just staffing your secret lair with ordinary people, to wire-tap your own phones in case one of your own people turns disloyal. Boy, that Roy Crane art is distracting!

(Scans courtesy of Digital Comic Museum.)

Smash Comics #8 - pt. 4

Today we're picking up where we left off with Invisible Hood, still fighting his way through a modern medieval castle (a villain's favorite real estate!).

Here we see that objects being carried by the Invisible Hood are not themselves invisible.

We also get the first occurrence of the phrase "friendly ghost" in all of comics-dom. Take note, future Harvey Comics employees!

"Why, Kent - what are you doing here? And why are you also soaking wet, like I am? Say...you're not really the Invisible Hood, are you?" - Tom would say if he weren't a comic book character.

Brace yourself, because we have some really racist pages of Paul Gustavson's Flash Fulton to get through now. All you need to know is that Flash has come to the Amazon to find a missing explorer. Lots of people have come down here to search for Roger Hart, but none have succeeded. So maybe Flash can be forgiven for being suspicious when this native turns up as such a convenient guide.

It's bizarre how often South American natives are drawn looking like African natives in some of these early comic book stories. This is an example of what indigenous Amazonians looked like circa 1940.

Now one detail he got right I thought was wrong -- voodoo really is practiced in Brazil. It would be an imported religion, though, not something the indigenous cultures would practice.

Being a comic book, it should be no surprise Flash can speak with the native. The surprise is that Flash knows the native's tongue and the native isn't just speaking in broken English.

Brazil has states,not districts, and there is no Kitawa state in Brazil. "Kitawa" doesn't even look like a South American word and, indeed, the only Kitawa I can find is in Papua New Guinea!

Again, Paul is right on some details; there are/were cannibals in the Amazon.

"Hey, our guide just jumped overboard!"

"You think we should just let him go since he helped us get this far?"

"No, there's a chance he'll betray us. Let's both shoot him in the back!"

Okay, enough of that! I think you can guess that they used sound effects to startle the superstitious natives, ho hum.

Turning now to my second favorite feature, John Law, Scientective! In many ways, John Law is like a second draft of Harry Campbell's earlier character, Dean Denton (featured heavily in my repackaging of Funny Picture Stories, on sale now!). Just like how Dean had to figure out who his nemesis, The Conqueror, was, John is narrowing down which of 13 suspects is The Avenger.

And, along the way, we get some science lessons, like how to leave threatening messages on other people's windows.

Sometimes the science is a little shaky for a science-based hero. I mean, compared to the average golden age comic book story, this still reads like an issue of Scientific American. But I can't figure out how the short wave heat inducing transmitter -- we call those electric heaters today -- managed to set the mattress on fire, but not the ceiling above it.

Now, John's scheme to unmask the Avenger is a little convoluted here and may require some explanation. It isn't obvious, but you have to assume that The Avenger is calling John in panel 8 to gloat. It certainly isn't a smart move on The Avenger's part, but John did bait him with the newspaper headline and villains have to save vs. plot to keep from gloating when given the chance.

It's worth pointing out that this is a time before there you could access multiple phone lines with the same phone. So if you wanted to have 13 phone lines, as John sets up here, you need 13 telephones to do it.

Also note the cartoon of Hitler with swakstikas for eyes on the front page of the newspaper.

Sometimes we have to look at Gill Fox's Wun Cloo, despite the painful racism of it, because there are interesting concepts hidden in here. Now, getting a robber to agree to pull into a gas station and park over the car lift is probably the hard part, but if he falls for it, you can lift it off the floor and threaten to set the floor on fire so he can't get out safely.

This is actually a bit of clever naming; the Tennessee Valley is large and the Tennessee Valley Authority built 50 of these dams since 1933. So when you call it the Tennessee Valley Dam, that can be a real dam, without knowing which one.

So Wings hunts down the "pirate dirigible" (even though it's pretty clear a foreign government is responsible for this attack, and for the life of me I can't figure out why he's shooting at the little gondola and not the giant bag of hydrogen directly above it. Does Wings just not like easy victories? "Getting the engine" is definitely a bad result on a random complications table for aerial combat.

(Scans courtesy of Digital Comic Museum.)

Smash Comics #8 - pt. 2

I don't care for any other features in Smash Comics as much as Espionage, but that doesn't mean we can't glean anything useful from them. Let's start with Abdul the Arab, our "hero"/traitor to his people, who helps the British steal his nation's oil...

We always pause to examine maps. Kuwait is not drawn by accident inside Iraq's borders; Kuwait had been annexed back into Iraq in 1938. Riyadh is the capital of Saudi Arabia.









  
This is an unusual scenario for a RPG, since it can't be solved by violence. Abdul has to prove Holden is stealing Rice's oil (in a Western setting, you could substitute cows for oil and run the same scenario) by getting a confession or finding the hidden pipeline, and by diving the work between himself and his sidekick, he gets both.













I can't verify that there is such a thing as a Cambridge Arsenal, let alone one holding 20,000 tons of high explosives. That seems like a really dangerous building to put that close to London.

Transatlantic flights did not fly every day in 1940, which can delay a scenario that takes place across the ocean. 
 









 
Here's an image of what appears to be a briefcase-sized short wave radio. 1940 Heroes can't easily carry these on them, but if they keep them in their cars they can split up and still communicate.

Heroes can often be notoriously hard to trap when they travel overly cautious, with all their gear and trophy items with them. The trick, then, is to get them to lower their guard and feel safe. Trap them while they don't yet know they've reached the hideout.

Yeah...that is one unconvincing ghost, what with his legs sticking out under the sheet. I know I've always said disguise needs to be really easy in comic books, but I might give the mobsters a +2 bonus to their saves vs. plot to see through this one.

We're going to skip ahead into the Hugh Hazard and His Iron Man adventure that follows. All the backstory you need to know here is that the Batzis are Nazis, Hugh knows they are responsible for sabotage here in the U.S., and he figured out they are keeping in touch via radio. He lucks onto their short wave -- I can't see that being a skill check; perhaps he just has a random 1 in 6 chance of catching one of their messages per rest turn, like a wandering encounter on the radio.

Now, I don't exactly get how this works, but if you connect a super-seper iconoscope to a teleradio, you can get a visual image of the person speaking, even if that person was only recorded with sound. Who knew?

"Krautville" sounds like a racist name for any town with a large German population in it...

Bozo has the Dig power, so that means he functions as at least a 6th-level superhero. And yet...we are treated to Bozo using the "Look behind you!" trick like a grade school prankster. I would say it's amazing that the old guy doesn't hear the propeller right over his head and know that Bozo is still there, only...well, then we also have to overlook that this tiny propeller can make a large robot fly.  I guess you could give the guy a save vs. plot to see if he falls for it or not, but I think a +4 bonus seems reasonable too.

This page kind of undersells this tactic, but a time-tested method of keeping the Hero from capturing the villain until later in the scenario is to have something happen that the Hero has to leave right now to stop. A Lawful or Neutral Hero should then have to save vs. plot to stay and defeat the villain early (maybe Chaotic too, depending on how much is at stake).

(Scans courtesy of Digital Comic Museum.)

Shadow Comics #1 - pt. 2

Wrapping up my review of this issue...

Bob Burton is a half-pint cowboy with an unusual angle to his story. A villain is trying to get the dead to his mother's ranch by convincing them their ranch is haunted. Noises in the attic and a ghostly face at windows are used to spook them, but the face is revealed to be a luminous mask hanging from a pole, and the noises in the attic are -- you couldn't get away with this in a comic book today -- from a cat with weights tied to its legs.

The story has an unusual resolution; instead of the villain getting arrested, or getting his comeuppance, Bob's mother sells the ranch to him -- but only after they find out that the man wanted buried treasure on the property, and after they had already dug up the treasure.

Bill Barnes is an aviator hero. He is after the Yellow-Jackets, a paramilitary group with an island base -- sort of an evil version of the Blackhawks! -- since publisher Street & Smith seems hesitant to label foreign countries as villainous so far. The narrator refers to how they have a "world-wide web," which is funny given what it means today.

Bill thinks the Yellow-Jackets base is "Mantigo Island." If the author is referring to Montego Bay, then the "island" is Jamaica.  Montauk Point is referenced, but that's a real place, a state park on Long Island.

Bill has night-glasses, binoculars with polarized lenses that let him see an oncoming aerial attack in time to prepare. He doesn't display having anything else of a trophy nature, though he owns at least 10 planes, assuming each of his hangars has two in them.

The Yellow-Jackets have thermite bombs, or incendiary bombs. Incendiary grenades are in the trophy section of Hideouts & Hoodlums, so these would just be a slight upgrade.

(Read at readcomiconline.to)

Prize Comics #1 - pt. 5

I haven't tackled a five-parter in a long time, but I had a lot to say about this issue.

We're going to pick up not long after where I left off with K the Unknown and we will, as usual, discuss it in terms of RPG game mechanics. As anyone who's ever read a previous post knows, I wrote the RPG Hideouts & Hoodlums and feel it does a spectacular job of  emulating the early history of comic books -- which I prove post after post on this blog.

And yet...K, getting stunned on the first hit by a thrown paperweight just doesn't match up with the hit point model of incremental defeat that H&H uses. It seems more like every hit has a random chance of delivering a stun. And, as I think about it, I see this all the time against bad guys and animals; only Heroes are usually incrementally defeated. And it does give me pause.

This page also highlights the importance of checking every mobster you defeat for disguises.

I'll give K this, the finale is worthy of a James Bond movie, with the hero and villain struggling upright on a speeding bobsled -- in fact, it predates the bobsled chase in On Her Majesty's Secret Service by 23 years!

I would think that two men grappling on a moving bobsled would wind up getting thrown off almost immediately, but in-game would be fine with giving each a save vs. science each turn to stay put, with a penalty to their save on the hairpin curve.

If Buck Brady of the F.B.I. seems science fictional, it's because of the absence of 1,000-dollar bills out there today. The U.S. government stopped making the bills by 1946, and finally recalled them all in 1969, so I've never seen one in my life.

I decided to share this page to talk about players choosing the direction of the scenario, because I read this I couldn't help but think, if this was a game I was playing, I would have had Buck follow the car rather than search her room. Now, if I was the Editor instead, I could leave a clue in the room telling the player where the old lady was going, and hopefully the player will get the hint that it's important to go to that location...

In this case, the Editor seems to have decided to move the planned encounter back to the hotel room. On one hand, it makes the villain seem smarter, guessing Buck was coming, but on the other hand it makes the Editor seem like he's unfairly using his knowledge of the player's actions against them. A way around that might be to let the player attempt to save vs. plot to find the hotel room abandoned.

Here is the oddly-already-a-cliche of the man dressed as an old woman, but with the switcheroo that the Hero then uses the same disguise.

I'm impressed by the daring involved in piloting your boat into a police boat just to get their attention. A mean Editor could well give you a chance of sinking the police boat, and then where will you be?

The final story we're going to look at is Storm Curtis of the U.S. Coast Guard. I'm showing you this page for two reasons: one, it's more fun playing a character with interests other than crime-fighting 24/7. Give your Hero a hobby, either one you already know about, or one you're willing to research.

And two, check out that grappling hook gun! This is much closer to what a real grapple gun looks like than what Batman has carried since the 1980s, though I'm not convinced grapple guns were that small and handheld in 1940; there could still be some artistic license at play here.

Paper and pencils are good things to find on a defeated mobster, as are cigarettes.

Note the use of "espy" in panel 2, a word I don't think was even in common usage then!

Those are really convenient clues to find in someone's pocket!

Personally, I find the chief spy encounter anticlimactic, but it's certainly surprising and good to pull on your players once.

I think it's amusing how Curtis sort of bumbled into this whole spy ring, like a player getting a lot of railroading help from his Editor.

Comics.org doesn't say who the artist is here, but I suspect Dick Briefer. What do you think?

(Scans courtesy of Digital Comic Museum.)

Famous Funnies #67 - pt. 2

Just a few pages left to share from this issue...

Jack Kirby isn't doing the art anymore on Lightnin' and the Lone Rider at this point, but it's still an interesting set-up with some unusual additions to the cowboy genre -- a Dragon Lady-like femme fatale, and "advanced" technology, like television, in the villains' lair.

This is from Mescal Ike, and while I think the top strip is pretty funny, I'm including this for the interesting turn of phrase in the middle tier. "Head of the class" is still a common term in use today, but if there's a head it stands to reason there's also a "foot of the class," with the bottom scores. Today's school system would not emphasize this fact and humiliate the student, but in 1940...?

This is from the one-page gag filler, Life's Like That. I'm partial to librarians, even though the "Squeaky" panels aren't as funny. What I found really funny was the baby panel.

We're checking in on Homer Hoopee again for the first time in awhile for several reasons. One, even though the chase sequence is over, it alludes to two important factors -- attack penalties for hitting a target moving at great speed (found in 1st edition Hideouts & Hoodlums' vehicular combat rules, but should also apply to attacking movement-buffed speedsters), and ranges on missile attacks. Further, Homer's prize is an example of how generous monetary rewards can be at the end of a long adventure ($50,000 -- in 1940 no less!).

If you can ignore the racism in this page of Spunky Dory, you'll see perhaps the first critical hit to the groin in comic books, and delivered by a goat no less (longtime readers of this blog are aware of the importance of goats in golden age comics)!

The question then is, is this evidence of the need for a critical hit mechanic in H&H, or does the headbutt to the groin simply explain how it did maximum damage on the damage die? I lean towards the latter.

(Scans courtesy of Digital Comic Museum.)